Watch: “The Dignity of an Intellectual Life for All”

Dear readers, on October 21, I hosted a program titled “The Dignity of an Intellectual Life for All.” Focusing on Dr. Zena Hitz’s thought-provoking book, Lost in Thought: The Hidden Pleasures of an Intellectual Life (2020), the program examined the value of embracing the liberal arts and humanities for their own sake and considered how a rich intellectual life for everyone enhances human dignity. We opened with a conversation featuring Dr. Hitz, followed by a responsive panel comprised of four distinguished educators.

It turned out to be a wonderfully engaging, conversational program. A freely accessible recording has now been posted to YouTube. Go here to watch it!

Here are the program details:

Hosted by Suffolk University Law School and co-sponsored by:

Featured Speaker

Zena Hitz, Tutor, St. John’s College, Annapolis, MD, and author, Lost in Thought: The Hidden Pleasures of an Intellectual Life (Princeton, NJ: Princeton U. Press, 2020).

Guest Panelists

Joseph Coulson, President, Harrison Middleton University

Hilda Demuth-Lutze, English teacher (ret.), Chesterton High School, IN, and author of historical fiction

Amy Thomas Elder, Instructor, Basic Program of Liberal Education for Adults, University of Chicago, Graham School

Linda Hartling, Director, Human Dignity and Humiliation Studies

Moderator

David Yamada, Professor of Law, Suffolk University Law School, Boston, MA

This program was supported by the Faculty Initiatives Fund at Suffolk University Law School.

Watching “Gaslight” (1944): One viewer’s guide

On Friday evening, I hosted an online discussion of the movie Gaslight, the 1944 thriller that gave rise to the pop psych term gaslighting, a term now used to characterize psychologically manipulative and controlling behaviors in interpersonal relationships, the political realm, and — of course — our workplaces.

This session was part of a film discussion series hosted by the University of Chicago’s Basic Program of Liberal Education for Adults, an intensive, non-credit, four-year course of study of the Great Books of the Western canon. The film night discussions are among the program’s complementary activities. I’m enrolled in the Basic Program, currently as a 3rd year student. It has been an enjoyable and challenging intellectual experience. (Go here for a personal account of the program during my first year.)

I offered to host a film night about Gaslight because I realized that, despite the growing use of the term gaslighting, it’s quite possible that many folks have never watched the movie. In fact, I hadn’t seen the movie in years and wondered if it would hold up as a dramatic story, rather than simply being the inspiration for the gaslighting term as used today. Fortunately, Gaslight gave us plenty to talk about, and we didn’t spend a lot of time on its contemporary relevance.

For those of you who would like to do your own viewing of Gaslight, the following notes are slightly edited from what I posted for those attending the film night:

How to Watch

  • Search “Gaslight 1944 streaming” for options. You will likely pay a small rental fee, around $3.
  • Gaslight is also available on DVD. Look for the WB Archive Collection print.
  • Don’t confuse an earlier, 1940 British production with the 1944 American production. The 1944 production has received the most critical attention.

Short Intro from imdb.com

“Ten years after her aunt was murdered in their London home, a woman returns from Italy in the 1880s to resume residence with her new husband. His obsessive interest in the home rises from a secret that may require driving his wife insane.”

Main Cast and Recognitions

  • Charles Boyer as Gregory Anton (Academy Award nominee)
  • Ingrid Bergman as Paula Alquist (Academy Award winner)
  • Joseph Cotton as Brian Cameron
  • May Whitty as Miss Thwaites
  • Angela Lansbury as Nancy (Academy Award nominee)
  • Barbara Everest as Elizabeth

Directed by George Cukor

Also, Gaslight won an Academy Award for “Best Art Direction – Black and White” and received Academy Award nominations for “Best Motion Picture,” “Best Screenplay,” and “Best Cinematography – Black and White.”

A Starter List of Questions

I provided these questions in advance to the film night attendees. If you’ve never watched the film before and wish to screen it “fresh” as a drama, then I suggest viewing it before reading through these questions.

  • What are your impressions of the opening sequences?
  • Is this a slow-developing storyline or are you grabbed from the start?
  • We know early on that Gregory is not a nice guy. How does that shape the suspense of the film? Charles Boyer was nominated for an Oscar. Is he a believable gaslighter?
  • Ingrid Bergman won an Oscar for her performance. What do you think of her portrayal of Paula? Is her psychological descent believable? Before the final scenes, are there points where she appears to be comprehending what Gregory is doing to her?
  • Are Pauline and Gregory believable as a couple?
  • Put on your amateur psychologist hat (unless you’re a real psychologist). What psychological dynamics and psychiatric conditions are captured by the behaviors of, and interactions between, Paula and Gregory?
  • Nancy, Elizabeth, and Miss Thwaites are significant supporting characters. How do they contribute to the overall story?
  • Is the main storyline credible? Do you have to suspend disbelief at any time to go along for the ride?
  • What do you think of the film’s use of foreshadowing, lighting, and music? Were these techniques effective or too heavy-handed?
  • The heart of the film is set in 1880s London. What are your images of the city during that era?
  • Brian Cameron is a Scotland Yard detective who sees an entry point back into a cold case. Does this work as a cold case drama?
  • Compare the portrayals of men and women main characters in the film, especially against the backdrop of the historical period depicted. What gendered stereotypes appear?
  • Do you have any favorite scenes in the film? (A personal favorite: What is the symbolism of the scene in the Tower of London?)
  • Among popular film genres, how many different categories does Gaslight capture or at least hint at? Is the film “Hitchcockian”?
  • Does the film portray gaslighting behavior similarly to how the term is now being used in our contemporary discourse — to characterize highly manipulative and controlling behaviors in interpersonal relationships, political communications, and workplace settings?
  • Is Gaslight a classic, or is it simply an entertaining film that gave rise to a term that has entered our popular culture?
  • For those drawn to the gaslighting theme, are there any other films or television series that you would recommend?

To Learn More

Search the film title and you’ll find plenty of good commentaries about it.

The Wikipedia entry is very informative, but be advised that it includes many spoilers.

To learn more about the dynamics of gaslighting, I recommend: Robin Stern, The Gaslight Effect: How to Spot and Survive the Hidden Manipulation Others Use to Control Your Life (2018 paperback ed.).

***

Also, I’ve posted many articles about gaslighting to this blog. For example:

2012-2020: When gaslighting went mainstream (2021)

Gaslighting exists, and it’s horrible, so we should invoke the term carefully (2020)

Institutional gaslighting of whistleblowers (2018)

Reissued for 2018: Robin Stern’s “The Gaslight Effect” (2018)

Gaslighting at work (2017, rev. 2018)

Inauguration Week special: “Gaslighting” goes mainstream (2017)

Is gaslighting a gendered form of workplace bullying? (2013)

Gaslighting as a workplace bullying tactic (2012, rev. 2017)

From genocide to bullying, may remembrance inspire our commitment

The social media image that most commanded my attention on Friday morning was a photo of Otto Frank, father of Anne Frank, taken in May 1960, on the day that the Anne Frank House in Amsterdam was first opened to the public. Otto Frank was the only member of his immediate family to survive the Nazi concentration camps. Daughters Anne and Margot, and wife Edith, all perished before they could be liberated.

Staring at that photograph, I tried to imagine what was going through Mr. Frank’s mind. But I understood that I could never truly comprehend his experience and the journey that brought him back to the place where he, his family, and four other Jewish residents spent some two years in hiding before they were discovered and eventually transported to Auschwitz.

Remembrance

And yet, even if we do not share direct memories of the Holocaust, maintaining a collective sense of remembrance, buoyed by historical literacy, is central to our understanding of how humans can engage in seemingly unthinkable atrocities. Indeed, I believe that the Nazi genocide is a key starting place for grasping our capacity for cruelty. As I wrote eight years ago:

We need to understand the Holocaust because there is no more documented, memorialized, and analyzed chapter of widespread, deliberate, orchestrated human atrocity in our history. If we want to grasp how human beings in a “modern” era can inflict horrific cruelties on others  — systematically and interpersonally — then the Holocaust is at the core of our understanding.

Despite the ample historical record, we may be losing our collective memory of the Holocaust, at least in the U.S. In 2018, Julie Zauzmer reported for the Washington Post:

Two-thirds of American millennials surveyed in a recent poll cannot identify what Auschwitz is, according to a study released on Holocaust Remembrance Day that found that knowledge of the genocide that killed 6 million Jews during World War II is not robust among American adults.

Twenty-two percent of millennials in the poll said they haven’t heard of the Holocaust or are not sure whether they’ve heard of it — twice the percentage of U.S. adults as a whole who said the same.

. . . Asked to identify what Auschwitz is, 41 percent of respondents and 66 percent of millennials could not come up with a correct response identifying it as a concentration camp or extermination camp.

From genocide to bullying

Years ago, as I began my deeper dives into the dynamics of bullying and mobbing at work, I looked to the nature of genocidal behavior for understanding the eliminationist instincts that appear to be present in attempts to force someone out of a workplace and even wreck their careers. I took these steps somewhat gingerly, because I wasn’t sure of the appropriateness of comparing genocides to even the worst kinds of workplace mistreatment. You might sense these tentative steps in what I wrote back in 2011:

Do the individual and collective behaviors of the Holocaust help us to understand severe, targeted, personally destructive workplace bullying?

The question has been discussed within the workplace anti-bullying movement and requires respectful contemplation. I am well aware of the casual overuse of references to Hitler and the Nazis in our popular culture, especially in today’s overheated political discourse. Moreover, I acknowledge the dangers of comparing anything to the Holocaust, an outrage so profound that it is nearly impossible to fathom but for the abundant factual record.

Nevertheless, I have steeped myself in the experiences and literature of workplace bullying, and I have read many works about the Holocaust. Although the two forms of mistreatment are hardly equivalent — even the worst forms of workplace bullying are a world away from genocide — there are real connections between them.

I credit two important individuals for helping to validate my hesitantly shared belief that genocide and bullying exist together on a spectrum, connected by common human toxicities and failings.

First, Barbara Coloroso is an internationally recognized authority on school bullying whose work has also extended into the realm of human rights generally. In her book Extraordinary Evil: A Short Walk to Genocide (2007), she recounted how she used a talk at the University of Rwanda to explain “how it was a short walk from schoolyard bullying to criminal bullying (hate crime) to genocide,” invoking the roles of aggressor, bullying target, and bystander.

Second, Dr. Edith Eger is a noted trauma therapist, author, and Auschwitz survivor. At a conference in 2017, I had the bracing task of immediately following her eloquent keynote speech with my presentation about workplace bullying and mobbing. Looking periodically at Dr. Edie (as she is known) as she sat in the front row, I shared with everyone my unease about comparing the Holocaust to work abuse, especially in the presence of someone who had survived the horrors of Nazi concentration camps. Thankfully, when I finished my talk, Dr. Edie applauded enthusiastically and gave me a warm nod of approval. I was both relieved and honored by her response.

Commitment

In the realm of employment relations, we often use the terms workplace bullying and workplace incivility as a matched pair, with some differentiating them only slightly by severity and intention. However, I’ve come to regard workplace bullying, mobbing, and related behaviors as being closer in essential character to the even more virulent behaviors that target people for abuse or extinction en masse. The degree and extent of harm may vary greatly, but the driving psychological and social forces bear many likenesses.

Indeed, over the years, the worst accounts of workplace mistreatment that I’ve known of have had nothing to do with incompetent management or everyday incivilities. Rather, they’ve typically shared a malicious intention to diminish, undermine, and harm someone, to drive them out of the organization, and perhaps even to destroy their ability to earn a living. In each of these instances, an eliminationist instinct has been very present, usually enabled and protected by institutional cultures.

Ultimately, all behaviors on this spectrum of cruelty and toxic abuse of power demand our responses. Thus, remembrance should inspire our ongoing commitment to understand and address these behaviors, wherever they may appear. 

For my part, I’ll continue my research, writing, and advocacy on workplace bullying and related topics. That work is a lifelong commitment. In addition, the contemplations offered above, some of which draw upon previous writings posted to this blog, represent some early thinking steps towards a more ambitious project that examines the varied manifestations of cruelty and abuse and assesses how law and public policy have responded to them. My objective is to contribute to a broader and deeper understanding of the differences and commonalities among these forms of severe mistreatment and what we can do about them.

%d bloggers like this: